The deceased queen in Balmoral-Mit Schalteschetz, in Tweed and Guns or on a horse is a poster woman for the season. She appeared at Diesel and was on the Moodboard from Rave Review in Stockholm. In accordance with her ethos, however, Josephine Bergqvist and Livia Schücker had not thought about Elitism. The duo of the duo finds a value in which others see no one; They work with Deadstock and found materials and objects that they put together with patterns and techniques that can absorb small runs – or junk – from fabrics. And in Sweden, Bergqvist said when calling that riding is “still very rural; It is not as if they had to be chic to drive. ”
The look book was shot in Foderby Gård in Vallentuna, about an hour outside the capital, where Bergqvist, once an enthusiastic cross country driver (the sport includes dressage and jump into a block and in the woods) and the ropes. The idea was to make riders and sportier influences (Note RR’s attitude of iodine tracks and Twisted Polos) with British inheritances such as tweed and tartan and play with classic clothing such as shamms (RRS can be tied on the neck or as a hood) and kilts. “Skirts are always our favorite garment. I think we have 10 different styles,” said Bergqvist. The one in the opening look with the twisted boards consisted of a two -facing fabric. A skirt with a 3D grille from the base fabric was also remarkable. For autumn there were many garments that looked like they were two -value, actually integrated; Look nine where a wrinkle from a dress was hung up with the lining-factory clothing. They really see twice when it comes to watching 22. It was a historic costs that was set with a capture cover under a generously proportioned laminated laminated plaidtopper with a hooded ceiling coat. A number of black clothes that are equipped with RR protected tretnutomy boots had an emo-romantic mood that is very at the moment.
This collection was not that far to be a reset for the brand, but to move away from the runway (Rave Review, which organizes three shows in Milan in Milan), feels like the right step. The catwalk was tended to overwhelm the clothes and sometimes look untidy and repeat itself. It was not only that the materiality of the clothing was blurry, but the step seemed to be motivated by brand positioning. This was not only (literally) near home, it was also particularly personal for Bergqvist, and not only because she is a rider – her mother and horse her mother, the Everyone shop – appear in a look book. There seems to be much more in this direction. Schück and Bergqvist, who are increasingly interacting with their customers, could show their work on friends and the community, which they gathered in their search for them to make fashion more beneficial.
