If you want to strengthen your wardrobe in a way that feels funky and fun, you should always search for what happens on the landingways during the London Fashion Week.
The city consistently delivers new talent that can redefine a piece of clothing like Emma Chopova and Laura Lowena. British designers often have the opportunity to look at something easy like a wrinkle skirt and add the right amount of grit to cause it and to make it look different.
The punk culture, which has defined the city’s aesthetics, influences the fashion of today in a way that feels so unique, which makes London shows exciting to observe it – even from a distance. And while the elegance and company of Little-Lady-AT-Lunch in the 1960s Compensation Style services were seen in brands such as Richard Quinn and Tolu Coker. There was also freaky fuzzy details at Simone Rocha and subversive sexy lacing at Dilara Findikoglu.
The London Fashion Week has the type of range that shows it that the best looks are sometimes literally and sometimes not layered. You only get rid of more than the eye immediately. They are the type of appearance that require a double setting, with small subtleties that can feel intimidating if they were not that bad. It feels like there are a little cheeky British wink among the seams.
In front of us are the six biggest fashion trends that make you understand why the London Fashion Week is really like no other.
1960s little lady
From l to r: Richard Quinn autumn/winter 2025, Emilia Wickstead autumn/winter 2025, Toga autumn/winter 2025
(Photo credit: Startmetrics)
It has only been around the 90s and 2000s for so long – maybe too long. Instead, there seems to be an interest in a slightly better sensitivity of the 1960s. The goal is to look as if you were a little woman to eat in a Pillbox hat for lunch and never leave her in the landing without brooch on the reversal of your cinched blazer. It’s bizarre and funny in a way that Y2K is not. And it is a timeless elegance that will never get out of fashion, even if it is not in trend.
Apparatus
Margot Pillbox Hut
J.Crew
Gwyneth Lace-Trim Sliprock in the textured satin
Fringe drops
From L to R: Burberry Herbst/Winter 2025, Erdem Autumn/Winter 2025, Toga Herbst/Winter 2025
(Photo credit: Startmetrics)
Fringes are often associated with a horse -called aesthetics. It feels very west, but also extremely coachella. This new version of Fringe feels much more sophisticated and does not like that you would drive a mechanical bull or take part in a music festival. Instead, everything revolves around clothing that feels so that they drop in fringes. They don’t scream Yeehaw; They blow softly in the wind when they drive along the street and follow them like a vortex of mysterious, film -like smoke.
Balenciaga
Wool coat with hooded with a hood
Banana republic
Silky-Creper Rand Top
mango
Openwork knitting dress with edges
Fuzzy feelings
From L to R: Burberry Herbst/Winter 2025, Dilara Findikoglu autumn/winter 2025, Simone Rocha Herbst/Winter 2025
(Photo credit: Startmetrics)
Who needs a warm hug if you can simply cover everything in furs? Perhaps there is no better example than Simone Rocha, where models wore fuzzy creature – made pockets last season. This season Rocha went one step further by turning models into a different kind of creature with clothes. Almost every runway, jewelry bags, shoes, pants and tops were seen furry and blurred accents. At Dilara Findikoglu it was even difficult to distinguish where the hair of a model ended and a hairy garment began. Not a lot of texture is too much.
Tyler McGillivary
Brandy jacket
Simone Rocha
Creature Teddy Clutch
Ruslan Baginskiy
Green Faux-Fur-Logo-Patch scarf
Everything tied up
From L to R: Dilara Findikoglu autumn/winter 2025, Dujancourt autumn/winter 2025, Simone Rocha Herbst/Winter 2025
(Photo credit: Startmetrics)
If they are all captivated, it is usually not a good thing. But if you are tied down all the Dilara Top made in a kors or a Simone Rocha dress with red ribbon down your torso, it is a different story. Lace-hazard details were seen in several shows, which even turned the most basic clothing into something that felt in a subversive S&M-way humid.
Vivienne Westwood
Kate striped cotton top
Ganni
Lace-up flats
Severance services
From L to R: Tolu Coker Herbst/Winter 2025, SRVC Studio Herbst/Winter 2025, SSDALEY AUTORS/WINTER 2025
(Photo credit: Startmetrics)
This is how your Investor dresses. The influence of the dystopian corporate show Compensation Seems to have slipped onto the runways, and a company is slowly looking at wherever they look. But that does not mean that the mood must be stuffy or buttoned. You can combine your favorite binding with strong prints such as plaid or wearing trousers with button details on the side. Think about what office workers are and then break the rules.
Sandy Liang
Cardiff shirt
J.Crew
Patch pocket No. 3 pencil skirt in a structured faux patent leather
Kallmeyer
Ira-wool and silk mixture Pillesty
Survival -sized skirts
From L to R: Chopova Lowena Herbst/Winter 2025, Harris Reed Autumn/Winter 2025, SSDALEY AUTOR 2025
(Photo credit: Startmetrics)
Skirts are often considered extremely petite and female. But the London Fashion Week had a different interpretation this season. The skirt was considered something that could swallow it completely. They were larger than life and bubbled with layers of ruffles around the hips or cascaded to the ankles. This type of silhouette practically asks you to give a statement and make it extremely easy at the same time.
Prada
Reylon fold skirt
Christopher John Rogers
Handkerchief cotton-silk-midi skirt